Yefim Maizel Stage Director
  • Home
  • Bio & Résumé
    • Biography
    • Résumé
  • Production Galleries
    • Il Trovatore, Kazan', 2015
    • Aida, WBO, 2012
    • The Merry Widow, Santa Barbara, 2009
    • The Merry Widow, WBO 2007
    • Un ballo in maschera, Santa Barbara, 2007
    • La Bohéme, LVO, 2007
    • Madama Butterfly, Santa Barbara, 2004
    • Eugene Onegin, IU, 2004
    • Lucia di Lammermoor, Santa Barbara, 2002
    • L’Italiana in Algieri, WBO, 1998
    • Don Pasquale, WBO, 1997
    • The Demon, Wexford, 1994
    • Così fan tutte, Tallinn, 1989
  • Videos
    • Il Trovatore, Kazan', 2015
    • The Merry Widow, Opera Santa Barbara, 2009
    • Un ballo in maschera, Santa Barbara, 2007
    • La Bohéme, Livermore Valley Opera 2007
  • Press
    • Reviews >
      • Il Trovatore
      • Aida
      • L’Italiana in Algieri
      • Manon Lescaut
      • The Demon
      • Attending a Master Class by Yefim Maizel
      • A Stunning End of Season
      • Narrative in Theory and Practice
      • Un ballo in maschera
      • La Calisto
      • Don Pasquale
    • In the Media
  • Opera Academy of California
    • Opera Academy of California Videos
    • OAC Reviews
  • Contact
WEXFORD LYRICAL 
"...Maizel lets the opera’s narrative speak for itself: in a ‘modernist’ staging, sung in Russian without surtitles, the action was always crystal clear, the subtext subliminal. It worked marvelously..."
—Hugh Canning - The Sunday Times​
ELECTRIFYING ‘DEMON’ AT WEXFORD
    —Ian Fox - The Sunday Tribune
CROWNING SUCCESS OF WEXFORD FESTIVA
"...Alexander Anissimov’s conducting, Yefim Maizel’s clever direction, and Paul Steinberg’s designs provide a telling vehicle for superb singing..., and...makes a powerful impact on a single hearing..."
—Marese Murphy - The Glasgow Herald​
"...several western companies have found that the Russian repertoire creates a perfect opportunity for spectacular and coherent modern stagings. An outstanding example of this was the stylish setting by Yefim Maizel of Rubinstein’s ‘The Demon’..."
—Marese Murphy - The Economisto edit.
INSPIRED FLAIR CAPTURES WEXFORD
"…Shorn of its spooky-mystical trappings, as here in Yefim Maizel’s production… it is a truly exciting Wexford rediscovery."
—David Murray - The Financial Times
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